Sainte-Adresse, a seaside resort near Le Havre where Monet's family had connections, was a favorite subject in his early career, and this beach scene reflects the leisure and maritime activity of the fashionable Normandy coast in the 1860s. Painted with bright color and confident, simplified brushwork, it shows Monet already moving away from the darker tonal palette of his academic training toward the light-filled style that would define Impressionism. Sainte-Adresse remained personally significant to Monet, who spent childhood summers there.
Jacquard-woven as a soft, double-sided tapestry throw with fringed edges — a warm layer for the sofa or bed.
