Edgar Degas frequently depicted women in private, unguarded domestic moments — dressing, undressing, or, as here, retiring for the night — subjects he approached with clinical, unsentimental observation rather than idealization. "Retiring" belongs to this strand of his work, exploring intimate gesture and the play of artificial light on the body in interior settings. Degas's interest in candid, seemingly unposed moments was influenced by his enthusiasm for photography and Japanese woodblock prints, both of which shaped his unconventional compositions.
Jacquard-woven as a soft, double-sided tapestry throw with fringed edges — a warm layer for the sofa or bed.
