Alongside his celebrated society portraits, John Singer Sargent undertook major mural commissions later in his career, including cycles for the Boston Public Library and the Museum of Fine Arts, Boston, projects that required extensive preparatory figure studies drawn from live models. This double-sided sheet, showing a bound male figure on both its front and back, reflects that working method, in which Sargent worked out pose, musculature, and gesture in charcoal before translating the figure into a finished mural composition. Such studies, often more expressive and immediate than the murals themselves, are prized today for revealing Sargent's draftsmanship at its most direct.
Printed with archival giclée inks on smooth, acid-free 220 gsm gallery-grade fine-art paper; available in multiple sizes.
